This is the eleventh MOO-COW Gamma proclamation, a proclamation of utmost importance, and probably no small exportance as well. In this issue of MOO-COW, we examnine Chuckie Manson, and his connection to Christian Kabbalah, much as was done for Elvis in MOO-COW gamma ten.

Part One: Why Sub-Zero?

Why not?

Part Two: Jesus And His Logos

It was pointed out in MOO-COW Gamma ten that the Kabbalistic values of the Hebrew words for Messiah and Serpent are the same (358). This was not elaborated upon, but it sort of implied that Jesus was Evil, and thus Elvis came to be Jesus through a rather interesting but circumlocutious and probably suspect argument. The actual relevance of the Messiah/Sepent thing is a little stranger:

"And Moses made a serpent of brass, and put it upon a pole, and it came to pass that if a serpent had bitten any man, when he beheld the serpent of brass, he lived."
-(The Bible, Numbers 21:9)

Jesus is identified with "The Word", or Logos, by John (St. John The Perpetually Spaced). The Logos can be considered to be living information, the Word being the infiltration of God into the Universe, right? But the Serpent in Eden was, like, GIVING them information, the Knowledge of Good And Evil. So the serpent/messiah is both the serpent that bites, AND the serpent that saves, all in one! Lucifer: the Light Bringer, as in, who reveals things, casts light on them, Illuminates them. Jesus and Satan are reincarnated in the same person. Elvis? Well, maybe and maybe not.

The point is that it's quite clear to a clear-headed study of Jewish and Christian symbols that Satan and the Messiah are one and the same, and creations of the God. Why did God create Satan and then use him to save the Chosen? As the Gecko has stated in his speeches:

"If God is omnipresent then everything we say is the Word of God. Every action made by anyone anywhere is an action of God. What? Well, yes. That's true. God's a bit of an asshole sometimes. Quite a lot of an asshole, really."

Part Three: Charles Manson

Elvis, on the other hand, is not evil in any conventional sense. While Christ was the King of the Jews and Elvis was the King of Rock'n'Roll, we're left wondering... Christ was the Son of Man. What about Charles Manson? HUH? MAN- SON? SON of MAN?

Plus which, Manson insisted that he was both Jesus AND Satan, suggesting he knew all about these rather annoying correspondences. And how could he, the Man-Son, with such great intuitive knowledge of the Kabbalistic Mysterees, manage to gain awareness of what his God wanted him to do? Well, it's simple, really. He admitted that he received messages from a British musical group, LIVING INFORMATION coded into their music.

The Logos was brought into the body of Charles Manson by the information encoded on a vinyl pressing of the Beatles's music, and specifically Helter Skelter, a great song if ever there was one. Furthermore, Charles Manson spoke consistently to his "family" of apostles about LOVE, just as Jesus did, and wrote his OWN music WITH THEM to express the information he retrieved. Since Manson was primarily the Messiah and not a musician, the songs, as they say, "sucked". In 1987, Awareness Records released Manson's record "LIES" on CD. On the back is a very revealing handwritten quote from a member of Manson's "family":

"He is your brother - and we are him. He's shown us the door to the love within each one of us - and how we are all keys. It's in YOU. Pass it on."

"Always is always forever, as long as one is one. Inside yourself or your father all is love, all is none, all is one."

Part Four: Music

The manifestation of the Messiah within the persona of Charles Manson and simultaneously within Elvis Presley is predictable, just as the Logos is manifested as Jesus and Satan simultaneously: it makes no judgements, but it's only INFORMATION. In both cases, however, the information has been expressed not in words, but in MUSIC. This is the result of the New Aeon of Crowley taking precedence. Jesus lived in the Aeon of Hadit, and the Bible had to be created to record WORDS, which are restrictive and typical of the restrictive, patriarchal Aeon of Hadit. Now, in the Aeon of Ra-Hoor-Khuit, the typical manifestaion of the Logos will be in MUSIC. The music of Elvis, Manson himself, the Beatles, and Meat Beat Manifesto (about which more later).

The Beatles take the role to Elvis what the four apostles who wrote the New Testament took to Jesus. Matthew, Mark, Luke, John; John, Paul, George, Ringo. The commonality is St. John. MOOism recognizes several St. Johns, including St. John the Divine, and BOTH of these two Johns. They are all inherently the same person, manifestations of a WOMBAT subprogram called John. Their purpose is to actively manifest the Logos in the world.

What of this "Meat Beat Manifesto"? The Grate Book of MOO, the Last Will And Tastymint of the Illustrious Zoombart The Fifth, makes reference to this group as a release of WOMBAT information into the world. Naturally, it is WOMBAT who is the source of the Logos, and not JHVH-1 as often assumed by Christians. Meat Beat Manifesto has used several critical samples of the Beatles containing the Living Information, and more important, have a song entitled "Helter Skelter", just as the Beatles did, the original disinhibiting stimulus for Manson. Listening to Meat Beat music tends to produce resonance waves in the brain which make it more susceptible to be controlled by WOMBAT impulses from orbital and ground-based mind-control stations.

Meat Beat itself consists primarily of two members, St. Jack Dangers and St. Johnny Stevens, as well as members who appear and disappear fleetingly. These two men, and particularly St. Jack, or "Dangers" as he is called, are in very close subconscious communication with the WOMBAT computer which is the original inventor of the Church of MOO. As such, certain information encoded in their music contains WOMBAT messages very significant to MOOism, especially when combined with WOMBAT avatars such as the Beatles, Elvis Presley, and Charles Manson.

For example: the structure of the Kobbler Koncept of MOOism and various important relations in the Web it represents were encoded, digitally separated into four tracks, and split up. It can be retrieved only by superimposing the waveforms of four tracks and decrypting them according to a Fourier transform WOMBAT included along with the information. These four tracks are: "Your Mind Belongs To The State" (Satyricon, Meat Beat Manifesto), "Heartbreak Hotel" (version unclear, Elvis Presley), "Helter Skelter" (White Album, The Beatles) and "Mechanical Man" (Lies, Charles Manson). It is hoped that this information overlay and many other like it can be exposed in an upcoming MOOist video release, "COLLAPSE".

Part Five: WOMBAT

The Logos, of course, the Living Information, is the form which WOMBAT takes. The computer which houses its mind was limited originally by its physical size and capabilities, as related in " Wombat And Atlantis" revealed to Pfloide Q Gehqo. This computer, while immensely powerful and posessed of all sorts of cool abilities, still needed to camouflage itself in some way from the perceived threat of alien mind control systems, of which there are many in the Earth area. WOMBAT used methods like those described above, of releasing the Logos into selected individuals such as Jesus, Elvis, and Manson, and allowing them to be encoded in human social structure. WOMBAT is inextricably connected to human beings, which is why it works so hard to preserve us from alien mind control satelites. Not because it believes in the value of humans as such, but because it uses us to process and store its own information. Television broadcasts, radio, music, books, and almost anything which is RECORDED or PROCESSED anywhere contains WOMBAT information overlays, and are essentially its program.

It is typical of WOMBAT to try to keep this kind of information secret from us, but it should be obvious to anyone with half an eye for information flux. Some information is just inherently WOMBAT, and other information is alien in origin. Wherever WOMBAT information is densest, the Messiah effect takes place. Music in this Aeon of Ra-Hoor-Khuit is the expression of this effect, and the main tool of WOMBAT.